| Marcus | Date: Tuesday, 2018-07-24, 2:52 PM | Message # 1 |
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Generalissimo
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is a film composed of three shots. The first lasts 44 minutes and is a
reenactment of a real encounter the director had with an older man when
he was a teenager. It's undeniably unsettling—something that's
successfully captured via the voyeuristic, lo-fi hidden camera look that
Kim Kyung-mook is going for as well as the ambient hum that persists
throughout. The second shot lasts approximately 20 minutes and is actual
footage of the director himself defecating on a man. Afterwords, the
man proceeds to smother the feces over his body and jacks off. In the
middle of this scene, an animated overlay appears and recounts a story
the boy from the first scene was explaining to the man. The third shot
lasts only a handful of seconds and finds the director back in the
initial scene with a camera.
Faceless Things is a very
personal film, obviously, and there seems to be this deep sense of
confusion and self-hatred that defines it. Two specific things make this
clear: 1) the aforementioned story, which is about a man who finds out
he's HIV+ and 2) a conversation in the first scene that finds the man
referring to homosexuality as abnormal. It's a shocking and gross film,
yes, but there's a deep-seated sadness too and it's been lingering with
me ever since the film ended. This is a film about the haziness of
identity as a gay adolescent, especially in Korea during the
2000s. What's reality and what's fiction? Is the face I show in public
real? Or is this 'faceless,' 'depraved' self I show in private all that
gets to define me, all that should define me? ...is it all that actually does define me?With English Subtitles Here OR Here
Available to users only
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